Actual representation of what happens when you and your friend have class together.
I feel that anyone who believes Romeo & Juliet is about some kind of Great and Timeless Love TM* needs to see this.
WE WERE JUST TALKING ABOUT THIS TODAY IN MY SHAKESPEARE CLASS.
If you go and actually read what Romeo says to Benvolio in the first scene, you will realize that he is only upset because HE WANTED ROSALINE’S BODY AND SHE SAID NO AND SO ROMEO WAS MOPING AND PITCHING A FIT ABOUT IT. Then, the second he lays eyes on Juliet, he’s basically saying
During the balcony scene, Romeo talks about how he scaled the wall of the garden to see Juliet. That is not romantic. That is disrespectful to her. This is a private area of the Capulet home, and Capulet built the wall around it to protect his daughter. This was a time when a woman’s virtue was the most important thing she owned. If Juliet was found with a man in this very private part of her home, everyone would think she was no longer a virgin, her reputation would be ruined, and it would be much harder, if not impossible, for her father to make a good marriage.
Speaking of good marriages, Count Paris is seen as the bad guy because he “comes between” Romeo and Juliet. Capulet had arranged for Paris to marry Juliet in 2 years time, when she would be 16, in a time when most women were already married and mothers by the time they were Juliet’s age at (almost but not quite) 14. Most fathers would have already had their daughters married by now, but he wants to wait two more years AND PARIS IS OKAY WITH THAT. Not only that, but Paris is young (her father could have had her married to a 60 year old man), titled (he’s a fucking Count), wealthy (again, he’s a count, which means Juliet will have financial stability), and, from what we see of him, he is a very good guy. Capulet could have done a LOT worse in choosing his son-in-law.
Finally, here’s something to consider: Juliet was 13, Romeo was 17. Their relationship lasted 3 days, defied their parents, and ended in the deaths of 6 people.
If I ever hear you say that Romeo and Juliet is the greatest love story ever told, I will bitch slap you.
That is all.
THANK YOU! SOMEBODY FINALLY PUT IT IN WORDS FOR ME
please watch this cinematic masterpiece
People who are younger than you but taller
People who are younger than you but better than you at something
People who are younger than you
Being turned into a llama
A LLAMA?! HE’S SUPPOSED TO BE DEAD!!!
Pixar can never top this.
Can we take a moment to appreciate the fact that the best loved line from this movie comes from a character we never even got to see?
childhood right here
remember way back in 2006 when the wii first came out and then the entirety of the world forgot how to hold onto something with a firm grasp so much that nintendo had to make a shock absorbing condom just so that tvs wouldnt get destroyed when people would end up sending this thing flying at their tvs at 900 miles per hour
Not to mention the fucking wrist-strap…
FIRMLY GRASP IT.
This was meant to be a quick warm up, but it turned into a comic that I’ve wanted to draw for a while. This is something that is extremely important to me, and I appreciate it if you read it.
A while ago, I heard a story that broke my heart. A family went a cat shelter to adopt. The daughter fell in love with a 3-legged cat. The father straight up said “absolutely not”. Because he was missing a leg. That cat was that close to having a family that loved him, but the missing leg held him back. Why?!
Many people have the initial instinct of “nope” when they see an imperfect animal. I get it, but less-adoptable does NOT mean less loveable. 9 out of 10 people will choose a kitten over an adult cat. And those 10% that would get an adult cat often overlook “different” animals.
All I want people to do is be open to the idea of having a “different” pet in their lives. Choose the pet that you fall in love with, but at least give all of them a fair shot at winning your heart.
Don’t dismiss them, they deserve a loving home just as much as any other cat. They still purr, they still love a warm lap, they still play, they still love you. Trust me, next time you are in the market for a new kitty, just go over to that one cat that’s missing an eye and see what he’s all about!
Let me tell to you a thing.
This is Lenore. I first saw her in a little cage at the Petco I frequent (I used to take my parents’ dog in for puppy play time), and she looked like the grouchiest, old, crotchety cat in the world, and I fell instantly in love. She was cranky, she was anti-social, hanging out at the back of her cage. Her fur was matted because she wouldn’t let the groomers near her.
She was perfect.
But I didn’t have a place for her. I wasn’t living in my own space yet, and where I was, I wasn’t allowed cats. So I pressed my face to the bars of her cage and I promised that if no one had adopted her by the time I’d bought a house, I would come back for her.
I visited her every week for over six months while I looked for a house. At one point, they had to just shave her entire rear-end because the mats or fur were so bad. They told me she clawed the heck outta the groomer that did it, screamed the entire time, and spent the next two days growling at anyone that came near the cage.
A couple of weeks later, I closed on my house. I went back and I got an employee, and I said: “That one. I need that cat.”
They got the paperwork and the lady who ran the rescue that was bringing the cats in told me that Lenore (at the time, Lila) was 8 years old, had been owned by an elderly lady who had died, and brought in to a different rescue, who’d had her for six months on top of the time I’d been seeing her at Petco.
This kitty had been living in a 3x3’ cube for over a YEAR because she was older and “less adoptable.”
I signed the paperwork, put her in a cat carrier, and drove her to my new home. I had pretty much nothing; a bed, an old couch, a couple of bookcases, and a tank of mice I called “Cat TV”. I let her out of the carrier and onto my bed, and I told her “I told you I would come back for you when I had a place. It’s not much, but it’s yours too now.”
Lenore spent the next three days straight purring non-stop. She followed me around the house purring. Sat next to me purring. Slept next to me purring. Leaning into every touch, purring, purring, always purring. She still purrs if you so much as think about petting her. She’s amazing, and I love her.
So, you know, if you’re thinking about adopting, and you see a beast that others consider “less adoptable,” think about Lenore.
The STORY THOUGH.
The Oncoming Storm: Losing Norway, Culture, and EPCOT’s Vision
On October 5th 2014, EPCOT’s Maelstrom will close and Disney will begin to revamp the Norwegian pavilion to include the characters, music, and narrative from Frozen, last year’s hit animated film.
I’ll put this simply, because it’s too soon to think of anything else to say: I’m angry. And I’m sad.
World Showcase’s original intent was supposed to be so much more than another repository for Disney’s brands and intellectual property. World Showcase and all of EPCOT was created out of Disney’s once unerring ability to be a company that showcased things, and showcased things that mattered. World Showcase was a permanent (if slightly stale) World’s Fair that existed to be an exhibition of the diversity of man, uniting and captivating visitors with the beauty and drama of the human difference. World Showcase was bravely dedicated to cultures that have defined what our world civilization had done throughout time. Does this description sounds grandiose and overzealous? Good. It should. For a very long time, EPCOT Center inspired these thoughts and these feelings with the content that it had on display. Norway and Maelstrom fit this theme like a glove.
While madcap and quirky and often downright puzzling, Maelstrom at least showed off the sinew of Norwegian myths and legends and culture. Brave vikings, mystical trolls, the barren wilderness of the arctic… The idea of Norway was encapsulated in a short ride. It was a romp. It was a short experience in the “genre” of Norwegian culture.
And now? It’ll be replaced by singing princesses that are “inspired” by the Scandinavian culture. This is a problem. Disney can not showcase culture vis-a-vis something made in their own image. Disney’s Frozen is more a reflection of Disney Animation than it is a reflection of culture. Aesthetic and narrative cues might come from Norway, but they were used to create a place called Arendale… a place that is fictional. A place based in pop culture fantasy. To show off Norway as it really is, Disney needed to extrapolate upon the underlying archetypes that existed within our collective unconscious about the place. Maelstrom already did that. Frozen will not. Frozen is a narrow narrative that uses Norwegian aesthetics and adapts one Norwegian story into a fairly enjoyable film.
Frankly, I like Frozen. I saw it in theaters, twice. But this enjoyment of it doesn’t broker any acceptable vision of EPCOT that includes shoehorning a modern film into a space that was meant to speak to the greater aspects of culture and mythology that define an entire country.
EPCOT, which has undergone a tumultuous trajectory over the past decade or so, is now faced with yet another thematic rift. Norway and Maelstrom now join The Seas with Nemo and Friends and Journey into your Imagination and Innoventions and other attractions that do not support a coherent and cogent vision of what EPCOT once was and should be. Some gems in the park will still exist, of course, but this is a large step in misaligning EPCOT’s focus and making the park less unique. Things like the alleyways of Morocco and Impressions of France and Living with the Land can only do so much on their own to support what EPCOT was and is supposed to be.
EPCOT faces an oncoming storm in removing Maelstrom. I hope it can weather it. I am an optimistic person, but a loss as large as this hurts. And it even hurts to admit that. With the removal of Maelstrom and the inclusion of Norway, there is no stopping what Disney can decide to do with other original and cultural attractions. Disney is now crossing a line into synergizing what was meant to be above and beyond what could be found in a magic kingdom park, or any other Disney park.
It’s a wicked storm, indeed. It’s a maelstrom.
This is how they write Jazz
who are they
the geese from Aristocats still going hard as hell
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